
Some people deliberately mislead; some do it unintentionally
So how can you know what really happened, or what is just a really good imitation?
Working with this topic
- How can we address the problems of the future without framing it as solely dystopian?
- What kind of (counter-) cultures will the ethnologists be able to trace in a hundred years?
- What would people in the future think of our current distrust in Big Tech?
- How can we achieve subtle positive world-building through curating artifacts for future ethnological museum?
Creating a Curated Exhibition
- through the perspective of a society in 100 years
- highlighting a fictional Counter Movement
- Different objects telling the stories of different people


@Glencairn’s Egyptian gallery



Different objects tell the story of different People, being part of this movement.
Those objects could be…
- Mesh network
- Antenna
- SD (recovery)
- Cyberdeck
- Small props e.g. stickers



Aesthetics
- Built, modified, and used by those people
- Not clean, not mass-produced, not cyberpunk
- DIY, indie tech
- Different looks –> coming from different people & times
- Still alive electronic devices, or intentionally destroyed
Example:
Object + Character = Story
- Characters are an important part of any worldbuilding process.
- Example of character + object for our future project presentation
Portable Music Player (“Cassette”)
Vienna, Austria, c. 2026
3D-printed housing, acrylic paint, salvaged lithium-ion battery, microcontroller board, microSD card, Arduino componentsBy the mid-2020s, most music was streamed through smartphone subscriptions and filtered by recommendation algorithms. Some young people pushed back by building their own offline players by hand, modelled on the mass-produced portables of earlier decades.
This one belonged to a Viennese teenager, who painted its shell to look like a cassette, a format they had likely never used. Its play button is worn smooth. The memory card holds 1,214 hand-sorted tracks, ranging from 1970s American rock music and Soviet post-punk to hyperpop and untitled voice memos.
What changes when music is owned rather than rented? How was piracy viewed in DIY electronic communities?

Harddrive experiment
Uploading
->questioning hesitation –> letting go of “shame”
->rediscovering data
“things that aren’t anymore”
-> moderating selection
-> (re)sorting & (re)naming
Discovering
-> uncomfortable going through other people’s data
-> discovery joy through chaos
Experiment is not finished
–> use findings for character development
Next steps
Testing Electronics
- Building a mesh network
- Building an antenna
World building
- Creating Characters

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