2026S Design a Chair

  • 26.05 Tutorials

    By

    Apolonia Bokszycka

    Material(s)

    An old linden tree in the Zawieprzyce Park, archival photo by Stanisław Pastusiak via lubelskie.regiopedia.pl

    Linden (lipa / Linde)

    This one is extremely important in Polish culture specifically (but also in Alpine folk traditions).

    The linden tree was associated with:

    • femininity,
    • protection,
    • love,
    • domestic spirits,
    • community gathering.

    Villages often centered around a linden tree. People believed it:

    • protected against storms,
    • softened conflict,
    • repelled malevolent spirits.

    In Slavic folklore, it often has a gentler, maternal aura compared to oak.
    Linden wood was also used for:

    • religious sculptures,
    • icons,
    • ritual carving.

    A lot of old Polish Madonnas were carved from linden.

    One of the oldest recorded linden trees in Poland, next to a church in Czarny Potok. Source: mojamalopolska.pl

    Carving

    • There are only very basic tools in our workshop, I would probably need to buy some more.
    • Time-consuming

    Matthias suggested to focus on preparing a model:

    • either buying ready-made st parts and applying them on a chair
    • or doing casting of the ready-made parts.

    However,

    • I feel like the project would lack craft if I followed the suggestion and
    • another aspect is the loss of meaning, when materiality is omitted from consideration, which would then affect interaction with the object.

    Folk patterns from Podhale region in Poland

    Kashubian folk patterns

    References

    www.lwf.bayern.de

    www.lamusdworski.wordpress.com

  • Second Session 25.05.26

    By

    Philip Emricht

    Back to Brainstorming

    Installation

    Spatial Positioning

    Next Steps

    • searching for props
    • writing and design of print products
    • design digital interfaces
    • storyboard for intro video
    • physical design for interaction pieces

  • tutorial 26.05

    By

    Lili Miklós

    and

    Karim Zerourou

    reality check post design freeze and settling for a design:

    what we liked about our idea:
    – movement as a factor in social dynamics
    – our chair having “a mind of its own”
    – our chair reminding the user they’re not the on in control

    but:
    – our original idea was too complicated
    – we struggled to take necessary next steps in the design process
    – feedback: reduce and focus on one movement/aspect of interest

    after talking and sitting with the feedback we got:

    a chair that senses your presence and reacts – making itself unsittable

    Karim modelled different mechanics:

    • we had several meetings with Mathias and decided on mechanics
    • as well as meetings with electronics & microcontroller professors
    • we looked at samples for the fabric of the chair
    • wrote a shopping list and ordered parts
    • built models
    • and tried out the programming small scale

    motor starts if less then 5cm from ultrasonic sensor – waits 10 seconds – starts in the other direction – cycle complete

    next steps:

    • measuring the mechanics to order the base of the chair
    • working on the programming
    • testing
  • tutorial

    By

    Mia Tešić

    22.05.2026

  • Tutorial 22.05.26

    By

    Angela Neubauer

  • Progress post Midterms

    By

    Keita Sugiyama

    After the Midterms, I had been floating, partly on post-stress stupor, but also around a fundamental question surrounding my project: What is it about? What holds it together?

    Now when people ask me, I reply with the standard
    “Most people are intimidated by electronics and I want to bring it closer to people.”
    but this is a very broad answer, it doesn’t really answer the question “what are you working on?”.

    Collab announcement: Ana Mikadze!

    (Ana indtroduces their topic)

    They approached me saying they know a place that would fit my interest and skillset.

    The place is called Mz*Baltazar’s Lab.

    The Lab is currently looking for more participants in their exhibition starting June 25th.

    How does this change the course of my project?

    The project is now given a specific stage to work within, since the exhibition has restrictions on size etc.

    Concept / Installation

    The Tinkerer’s Desk

    The Tinkerer’s Desk is an installation that takes the classic image of the lone genius at their workbench and quietly dismantles it.

    The desk presented here is designed for multiple bodies, multiple intentions, no hierarchy of skill.
    During a [three-hour] live activation, visitors are invited to record a six-second sound – a breath, a word, a tone or accidental noise and program it into a broken speaker, assembled and disassembled by hand on the spot.
    The broken speaker is not repaired so much as redirected: imperfection is retained as character.
    The speakers produced across the activation accumulate into a site-specific polyphonic instrument — a spontaneous archive of a particular space, a particular group of people, a particular slice of time.
    Each speaker holds one voice.
    Together, they can be played: triggered individually or in combination, they produce a sound environment that belongs to no single author and no fixed composition.

    What results is less a concert than a conversation between objects, a collective memory that remains activatable – catchable — long after the workshop has ended.

    Description text by Ana Mikadze

    Next steps

    • Procuring materials
    • A trial with ~3 participants
    • Aesthetics and mechanics fine-tuning
  • Tutorial 22.5.2026

    By

    Philip Emricht

    Physical Appearance

    What does the contemporary mundane office look like?

    What is the materiality of it?

    Digital Interface

    Does the digital interface extend the physical or can it also contradict?

    Current vibe-coded AI tool aesthetic

    What if the appearance of the interface changes as the interaction progresses?

    Current Rendering

    Components / Materials

    Next Steps

    • Construction ready 3d-model
    • New storyboard for intro video
    • Plan post interaction web-app

  • WANNA ROCK? (working title)

    By

    Anton Haberl

    Tutorials 22nd of may 2026

    A backwards tilted seating surface supports the pressure of the massage wheels on the users back.

    A footrest has been added to give the user the ability to rock through their legs and not just weight shifting their upper body.

    The massage wheels distance has been adjusted to fit to the shape of a human back.

    The distance in which the massage contraption will be installed will be determined by trial and error after building the chair itself.

    Technical views

    Wood type is going to be ash wood, since it’s bendible and withstands they various forces beeing applied by rocking. Ash wood is luckily directly available in stock in the universities wood workshop.

    Building a narrative

    Terms:

    • Active interaction
    • Consoling touch
    • Constant motion
    • Energy humans passively apply to their surroundings
    • Consumption of human power through usual carework

    How could the narrative built around the rocking chair include the positive effects of these ideas to form an innovative, speculative concept?

    What kind of symbolism could be used to convey this idea?

  • tut 05_22

    By

    Julia Freyer

    sketches panel placement + shapes

    inspiration photos

    AI visualizations

    shape of panels – tryouts

    2nd session: keep the metal frame as it is!

    cleaning metal frame

    Sketches: Arm Rests + 5-star Base (wood)

    Talk Matthias

    • polyester filler for metal frame
    • tilting mechanism (fake wood or 3d printed)

    Next Steps

    • Wood Workshop: panels 3rd June
    • Meeting with Dieroff: 29th May

    • Figure out 5-star base (sketches + try outs)
    • Figure out design of tilting mechanism cover
  • By

    Nina Heimel

    Tutorial 22.05.26

    recap of design freeze

    new drawing base

    –> rigid steel

    using a brush

    textured paper

    brush paints for only 10–20 seconds

    –>blob of paint, without any details

    using wooden joint instead of rubber band

    using a spring for the drawing mechanism

    new idea for drawing mechanism inspired by cycloid drawing machines

    Base with springs

    base directly controlled by chair movement

    simpler construction?