























feedback 20.03.2026
»… all women who are powerful in the public imagination have placed onto them images of monstrosity, or are imagined as monstrous underneath their exterior appearance …«

female rage in art: past and present
the role of women in society—as mothers, as bearers of children, and as wives—is justified through the biological functions of their bodies. according to VALIE EXPORT, only when women detach their identity from their bodies can they exist as self-determined individuals.
how might anger be reframed as a trainable and constructive emotional resource for fostering motivation for change?
how can anger be shaped, trained and redirected?
… perhaps anger is the thing that tips the scales from inaction to action. perhaps that’s why anger is not just skillful in certain moments but necessary …
–Zuisei Goddard, When Women Practice Anger,
https://oceanmindsangha.org/articles/fierce-tender-clarity-zuisei-goddard
feminist/female anger becomes chronic because it is continuously reactivated by persistent structural inequalities rather than isolated events.
chronic anger (frustration) → productive anger (motivation)
anger can trigger optimism and is a motivator
→ anger becomes a method of making || anger as a resource
→ psychological thinking: anger is an activating emotion (it generates energy, focus and a drive to act)
→ in emotion regulation theory, anger becomes useful when it is processed, reframed and channeled, not simply released
→ practicing anger, just like practicing happiness → anger desirable feeling, just like happiness
chronic anger spreads through the body in wave-like patterns; it is not punctual, but continuously in motion. it is not something that can be put aside, but remains as a second skin—part of our perception and our actions.

leather → a material already shaped by processes of violence, use and transformation
tattooing → a controlled, intentional act (in contrast to impulsive reaction); permanence
→ rhythmic, tactile, repetitive → emotions are not only cognitive, but processed through the body // celebrating feeling emotions we categorize as negative
repetition / ritual → training rather than catharsis (→ filming process) // repetition as emotional architecture—it structures feeling(s) over time
→ intermediate space between impulse and action


… anger is the deepest form of compassion, for another, for the world, for the self, for a life, for the body, for a family and for all our ideals, all vulnerable and all, possibly about to be hurt. stripped of physical imprisonment and violent reaction, anger is the purest form of care, the internal living flame of anger always illuminates what we belong to, what we wish to protect, and what we are willing to hazard ourselves for …
– Consolations: The Solace, Nourishment, and Underlying Meaning of Everyday Words

further steps // what I want to achieve with the project // questions // …
– filming process → intentional, repetitive act // same spot, … → coming up with a practice // anger becomes a method of making
– wet forming try outs // more complex forms → intentionally shape anger (?)
– is anger truly transformed—or just aestheticized?
– does the project need to be finished? ever-growing?
Throne design
Maybe in order to humiliate the person intended to sit on it, a series of identical thrones should me made? An anti-thesis to the definition of a throne.


Who am I designing for?
Technolords are out of reach. I cannot interact with them – maybe it would be more interesting to design for people enabling the technolords or just general public – in order to remind them about their political power?


Framework
This semester I would like to learn working with metal.


Next step: visiting Altmetall
Form studies



–> having pillows with imprints to give a direction how to use it?
more sketching


Rhino model 1



–>first model still ball-shaped
Rhino model 2
A chair that not only supports stimming but gives it a stage threw drawing the motion (inspired by a ball pen)





–>second model less ball shaped

I did some research and realized that I can’t realistically build this
New mechanism ideas:
1) inspired by a gimbal



–> but instead suppressing motion enabling it

How do I implement drawing the motion?
2) back to ball joint



–> using steel elements attached to the seat to draw the motion

Objects and Spaces communicate unspoken rules
HOW CAN WE WORK WITH UNSPOKEN RULES?
“We don’t just use objects – we interpret them.”


“A space can be physically accessible but socially restrictive.”

Inspiration

Peer feedback session 22.04.2026:
-Just sitting is not enough to occupy space.
-Unspoken rules of sitting is most interesting.
-Documenting the process.
‘While making the mold of the stairs from the Strauss monument. I was using clay to make the imprint and it was reminded that an action is required in a way to be in space you don’t typically sit on.’
NEXT STEPS
-Site Specific documenting and investigation
-Material testing and development of aesthetics and visual language
-How much of the process or the moods should be included in the project?
Key elemtents: empowering each other, solidarity, working together, holding together, passing on, sharing
Where I came from: layers

Layers: Stacking chairs


Tatami seating – The Zaisu Chair



Stacking Mechanism like DimSum-steamers or LEGO




=> Stacking chair, no legs, stackable back/armrests. Sitting is possible on each single one, on some or on all
Symbolisms:



Research: Female designs
Embroidery, Floral patterns, Pink/red tones, curvy, soft





Bokja – women,women, women; Anna Aagaard Jensen – untitled chair; Laia Laurel – Anti-manspreading chair; Tania da Cruz – Playmobilia; Gaetano Pesce – Up5/Donna
Sketches & first small models


First draft in Rhino



My approaches to make my chair speak “woman”:




Going for words

Stitch something onto the edge/bordure
(Leopoldine – my great great grandmother, Tricoteuses, Casdagli, Katharina Cibulka – Solange/aslongas)



Second draft in Rhino



sentences, “riddle”




Questions:
a rocking massage chair
based on feedback from midterms, a new design for fulfilling the idea of having a chair that includes active interaction, consoling touch & constant motion without the need of constantly pushing a pedal with ones feet.

Simplistic model to visualize mechanical solution

A pulley connected to the rocking chair is powered through the back and forth motion of the chair itself, by a lever fixed to the floor. This pulley powers massage rollers on the back of the chair via a belt.




Pulleys and timing belts exist in variable sizes and can be matched to the required distances of the contraption.
Inside of the pulleys bearings will be installed to connect rods to the corresponding parts such as the massage wheels.

message wheel concept
The message wheels are planned from wood, to have a natural material which is supposed to give a pleasant feeling on touch while being easily shapeable.

Aesthetics


scandinavian rocking chair



Scandinavian Lounge Chairs
Further Steps
Intertwining the Physical World with Digital Overlays
photogrammetry demo aligned to stair case.
audio playing inside the frame.

learning:
Research
Studies show:
Difference between Neugierde, Curiosity, and Wissenslust
>> Vast amounts of literary examples for curiosity being a bad thing.
>> Over correction in Adulthood, leading to not being curious enough
Visual Exploration
What do I want people to leave with:
“To be supported in their search.”
“Seeking answers that suit their interest.”
“Learning beyond just knowledge. “
Poetic Intrigue as an answer to “How to not become grumpy”
Romanticism; attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century.
Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental.
(Encyclopaedia Britannica)
Poetry:
„Schläft ein Lied in allen Dingen,
Die da träumen fort und fort,
Und die Welt hebt an zu singen,
Triffst du nur das Zauberwort.“
A song sleeps in all things,
That dream on and on,
And the world begins to sing,
If only you find the magic word.
Wünschelroute, Eichendorff
„Wo jetzt nur, wie unsre Weisen sagen,
Seelenlos ein Feuerball sich dreht,
Lenkte damals seinen goldnen Wagen
Helios in stiller Majestät.”
Where now, as our sages claim,
Only a soulless fireball rotates,
In those days, in silent majesty,
Helios steered his golden chariot.
Auszug aus Götter Griechenlands, Schiller
古池や蛙飛びこむ水の音
an ancient pond / a frog jumps in / the splash of water
Matsuo Bashō
کنت کنزاً مخفیاً فأحببت أن أعرف فخلقت الخلق لکی أعرف
I was a hidden treasure; I loved to be known. Hence I created the world so that I would be known
Hadith of Hidden Treasure
Drawings while reading. Simple Emotions:



Going Forward:
> Fragments of Poems, knowledge etc bring garden to life
Cento / Found Poem
>> reassembling parts of poems to create a new whole
>> assembling knowledge to tell a story / create a space



Currently 5 Areas:
“Immaterial Nature” — Sky, Weather, Sun, Day/Night
Beginning, Awakening
Light, Sun, Spring, Summer.

“Water” — Soil, Pond, Rain
Source of Life
Refreshing, Nourishing
“Plants” — Plants, Crops, Grass
Symbioses with humans,
Source of Beauty,
Language of Flowers
“Animals” — Birds, Critters, Insects
Life,
Business
“Humans” — Visitors own role.
Knowledge,
Hope
Reflection
Next Steps:
– Finalize Poems & Other Knowledge
– Pick out specific plants / objects / animals etc.
– Scan