2025W No More BS Futures

  • feedback december 5

    By

    Lisalotte Tscherteu

    ,

    Florian Krispler

    ,

    Ylvie Moschitz

    ,

    Emma Breitenecker

    and

    Abrar Aitounejjar

    Storyline

    premise: the internet is dead -> AI doesn’t work

    Due to the overflow of false information AI is not able to tell the truth from fake news. Also everything one can find on the internet there is no way of verifying if it is true or not.

    show this state with: news, AI reading it

    a. the gov decides every AI will be m.AI (maybe beta testers)

    b. people develop this and there is no choice but to use it because everything else is trash (no alternative)

    c. the AI itself notices that users are more and more unhappy with its answer so it stops answering and starts questioning. eg.: FLO

    -> in comes m.AI (maiuticsAI)

    our chracters use it but are rather frustrated – they then try to turn back to the internet but are even more frustrated.

    -> second try with m.AI

    this time our characters really try and see the benefits and get a kick out of their learing expirience with m.AI.

    -> resoltuion ?

    a. the POV of the single screens merge – they stop talking to their devices and turn to humans for answers.

    What kind of AI could help bring people together?

    What kind of AI could make people see the value of learning and understanding?

    What kind of AI could foster critical thinking?

    What alternatives will we adapt to, in case of the death of the internet?

    Visuals

    our characters will be shown from the devices cameras perspective.

    Characters

    Hippies that revert to also only talking in questions

    Strongly religious people that cannot stand the AI questioning their belief/god

    Children Why? why? why?

    Seniors not affine with any kind of technology

    Single-parents

    People falling into an existential crisis (maybe even suicidal)

    Rebels

    impatient/unwilling people that just want answers

    Positive responders super efficient, super creative

    >> next steps

    storyboard

    write some scenes -> frustration scenes

    WHO are our characters?

    find refined aesthetic references

  • Tutorials 05/12/2025

    By

    Ronja-Elina Kappl

    Directing Attention / Shaping Experience

    SCORES
    DEFINE INTENTION


    Trust that care is the foundation.
Act with civic mind and community orientation.
Refuse politeness. Pursue interest. Commit to the collective.
Direct when needed.
Follow only if you choose.
Stop whenever you must. Resist and refuse with intention.

    MAKING THE VESSEL
    Enter an alienating experience.
Create the vessel.

    HOW TO ENTER THE SPACE
    Enter by walking backwards.
Enter by walking backwards with eyes closed, guided by another.
Trace borders and erase them.
Drag the vessel on the ground. Listen to the sound.

    TINGLING ATOMS
    Take deep breaths.
    When ready, release a hum on each exhale.
    Shift the tonality. Find what feels right in your body; let the vibration travel down your throat until it reaches your pelvic floor.
    Listen to the surroundings and tune to what is present.
    Synchronize with emerging rhythms.
    Break out of them.
    Return to silence.
    Embrace the silence.

    EXPERIENCING THROUGH THE VESSEL
    Listen for voices through the vessel.
Listen to the vessel through the floor.
Speak your native tongue into the vessel.
Communicate with others through the vessel.

    COLLECTIVE CARE
    Gather all hands onto the vessel.

    Pass the vessel from person to person. Move it across the space.
    Two people must always maintain contact with the vessel; they do not move their feet.
    The remaining three move to form a chain and transfer the vessel.
    Then the first two release and step forward.
    Continue the chain.


    BREATHING BODIES
    Breathe slow or fast.
Lie down. Place and balance the vessel where pain appears. Direct breath into that point.
Let the vessel’s weight set the rhythm of your breath.

    Place your vessel somewhere on site.
Possibly everyone places their vessel on the same spot.

    FIGHTING RHYTHM
    Find a comfortable position. Begin with small waves.
Let the waves grow.
If sitting or lying, rise to standing.
Continue moving in waves.
Fight rhythm. Notice where the body wants to go. Go the opposite way.
Allow another person to guide your movement. Release control.

    BREAKING THE VESSEL
    Break the vessel.

    Open Stage / Angewandte Performance Lab

    Open Pain Lab

    Vessels

    Roles

    Ronja: Directing/Shot List, Camera 1, Post-Production, Sound
    Clark: Styling, Prop Design, Camera 2, Sound
    Valentin: Storyboard Sketching, Digital Archive Footage, (Post-)Production Assistant

  • Team 1 – Tutorial 5th of december

    By

    Anton Haberl

    ,

    Derin Sahin

    ,

    Eva Aartse

    and

    Lili Miklós

    Law of Inertia

    Starting point after Midterms:

    Script Writing exercise:

    The Sloth-Movement as a community

    In our future a group of people chose to genetically modify themselves to be “sloth-hybrid” humans. These humans have a very slow metabolism, which is supposed to be the solution against climate change and scarcity of recources. Since a “Sloth-Person” only consumes about 130kcal per day their impact on the world to a minimum.

    While the mainstream exhilarates with busyness and productivity, still driving humanity towards economical instabilities, societal inequalities and climate catastrophes, the sloth is living in balance and harmony with it’s surroundings. On a diet kept strictly to leaves they grow inside their appartments. the Terraniums they carry around fosters symbiotic life and feeds their plants, this means that they have next to no negative effect on their surroundings.

    The sloth lifestyle started as a solution to global problems and crisis. But it started offering more: Unpredicted side effects such as solving things like purposelessness, types of depression and not being able to keep up with an evergrowing capitalistic world.

    Ideas for the looks of a sloth person:

    Ideas for the terrarium

    AI generated ideas:

    A sloth persons stomach(s)

    Loose idea for what the sloth could sound like:

    The sloth is not being portrayed as dumb and slow understanding, but as illuminated and measured. It is not speaking a lot and when it does, it takes it’s time.

    The movie

    A documentary that showcases the sloths lifestyle and it’s natural habitat. The sloth-person is beeing followed by an interviewer from the mainstream world with a light tone of disapproval. The viewer gets and insight on how the sloth copes with a day in it’s life. Very slowly.

    In this “nature” documentary, David Attenborough meets “docuganda” – putting the sloth lifestyle in a bright light – while having a behind the scenes angle that shows the disgust of the still productive people.

    What do we want to show the watcher?

    The flaws of both worlds: total relaxation and pointless productivity. We highlight the loss of identity/humanity vs “over” individualism, and the idea that we can only come closer to nature/solve climate change by “engineering ourselves in a very unnatural way” — the absurdity of the solution. The film acts as a mirror of their own feelings towards these worlds.

    What does one gain by becoming a sloth?

    • Contribution to climate with reducing my CO2 footprint and contributing to ecosystem — without any effort.
    • Being productive, going with the flow — without effort.
    • No more struggles of human brain = just be happy (no mental illnesses, no more comparison, etc.).
    • Self-sufficient (no more work/guilt/looking for meaning).

    What does one lose by becoming a sloth?

    • Self-identity.
    • Community.
    • Humanity.
    • Control/power.
    • Potential future.
    • Drive.

    Road till Design Freeze

    • Decide final looks of sloth
    • Complete the storyline and scenes
    • Finish scripts
    • Find a place to shoot
    • Find an actor for the main protagonist

  • Team 9, Tutorial 5.12.

    By

    Amelie Proksch

    ,

    Jenny Krokstad

    ,

    Nina Gstaltner

    and

    Parnian Farmani

    • The world celebrates its 70th anniversary of achieving a technological utopia, created by the powerful billionaires who essentially rule it.
    • The protagonist is introduced after watching the news.
    • He wanders through this perfect world and discovers a strange object that makes a sound.
    • At first uncertain, he takes the object with him the next time he encounters it.
    • Over time, he figures out that the object reacts to sounds of frustration.
    • While experimenting with it, he begins a personal journey.
    • Through the object and the release of his frustrations, he stops feeling alone, reconnects with his emotions, and learns to accept himself as an imperfect human in a technically perfect world.

    “We live in a world that has masked the amount of complexity in which we actually operate. And so as a society we have a bit of a difficulty negotiating ourselves with complexity. So it’s really important to put notions of complexity on stage as other aesthetic notions that we can get comfortable with.” (Excerpt from Discussion with Andrea Pena)

    • resonates with the story we want to tell

    • Microphone, headphones, sound, speaker gadget
    • Human-made touch
    • Interesting shape
    • Imperfect / damaged
    • Visible electronics

    • transparent part
    • metal part
    • colourful part
    • electrical cables ect.

    • poetry slam
    • inner monologue & thoughts throughout the story

    “It’s not that I wish
    for smudges to exist.
    I’d never disrespect
    this generational bliss —
    the sacrifices, the polish,
    the shine of all this…”

    • collecting sounds of frustration
    • layering the sounds
    • Blues, Soul, Jazz beats/ bass to go along with poetry slam

    • black and white/ unsaturated / brownish lens
    • hand-drawn animation layers
    • colourful touches

    • City Scenes: exploring spaces
    • Alley Scene
    • Running Scene: Playing with light, sound & camera perspective
    • Apartment Scene:
    • Elliot Outfit- Styling: futuristic but subtle
  • 2025 12 03 Second Session with Soph and Story collection

    By

    Keita Sugiyama

    Soph has the suggestion to combine both worlds into one, a world where AI blackboxing has been taken to the extreme, and a tinkering subculture, or community or even public becomes a form of resistance and the way humans take back control.

    NOTE:
    This blog collects all assets and ideas still relevant. This means some places will repeat information from previous blogposts.

    The opening statement shall be:

    Because of the complexity of AI, blackboxing has been taken to an extreme. The general population has learned helplessness towards technology. However, a subculture of tinkering persists. Tinkering has become a form of resistance and way for humans to take back control.

    Storyboard, script, dialogue

    A draft of a script, in development parallel with visual storyboard. This is the text and dialogue side. Images added afterwards.

    The situation:

    • Money is gone, but not yet forgotten.
    • Megacorporations act in the interest of obfuscation. Officially for protection of privacy.
    • Many common people do not agree with this approach, currently campaigning for and working towards open source hardware and software.
    • Most common people know how to repair common appliances. Many more advanced tinkerers are active as modders while their activities remain unregulated by law.

    Scenes to incorporate:

    • Living room and mother repairing appliance
    • Dinner table
    • Hec interacting with a computer
    • Train station/place of commute?
    • Dialogues mentioning more world details, like education, freetime, The Great Solve, …

    Characters:

    • Mother
      • Likes to keep old tech
      • Knows of the world before The Great Solve
    • Hectavia, child
      • Tweens, in higher education
      • If they don’t like something, they’ll do something about it
      • Goes on Hacker sites on freetime
      • Inherited Mom’s knack for tech
    HOME INTERIOR - EVENING
    The about 30m² room is a mix of a living room and a workshop shed, with couches and lamps sharing space with soldering stations and 3D printers.
    A mother is sitting at the workbench and is working on an appliance on the desk in front of her, opened, with wires and circuit boards visible.
    She has closed all blinds to the windows and is working under lamplight. She is wearing a headgear of some sort. 
    
    The door behind her opens, and a person dressed in outside wear walks in - her child, Hec.
    HEC
    - I'm home
    
    MOM (focused)
    - Welcome home
    
    HEC (hanging jacket on hangar)
    - Don't you wanna open the windows?
    
    MOM (pausing work, facing backward)
    - I don't like getting distracted when I'm in the flow
    
    HEC (looking at workbench)
    - Our oven broke? Why don't we get a new one? It's so crusty...
    
    MOM
    - Nuh-uh this one stays, I regret throwing out the old analog one.
    DINNER TABLE - EVENING
    Mom is sitting with Hec at the dinner table, and they unpack their meal packages they have just heated up in the now fixed oven. The room is cozy lit and in the background the 3D printers can be seen working.
    
    HEC (chewing)
    Mom, I wanna run openware on my main PC, the OS is so annoying.
    
    MOM (also chewing, swallows and pauses a moment)
    I mean, I have nothing against that but I don't want you to get too comfy with that, who knows what will change that makes running it tedious again. 
    
    HEC
    But I only use it for homework, I've never seen engineers use it!
    
    MOM
    Look, don't be too reckless with it. I don't want the corpos finding out about the pirated stuff. Remember the whole adblock fiasco in the news-
    
    Hec rolls their eyes.
    
    MOM
    Yeah it gets annoying. But its for your education. Feel free once you have the grades.
    
    HEC'S ROOM - DUSK
    Hec walks into their room - a 15m² closet resembling a capsule hotel room. The bed doubles as the desk chair to save space but still takes up half the space. A large window takes up the far side wall and is letting in the last reds and blues of the day. Hec dumps their backpack in its landing spot and sits down on the bed, turns on the PC. 
    
    Hec is navigating various dull technical websites, it appears they are looking for a user manual, when a series of ads pops up. They mostly obscure each other but the contents vaguely remind of gender-affirming fashion, hormone pills and the sort, all in flashing colors. Hec nimbly clicks through all of them, muscle memory. The ads disappear, then a notification with the score pops up, and disappears.
    Hec's eye twitches in irritation.
    
    On the desk where Hec is sitting, a small electronic device lays open, with wires and circuit boards visible. Next to it a small paper note with large, aggressive hand-written letters spelling 'HOMEWORK'.
    
    
    Hec shuts down the PC, turns off the lights, slumps down onto the bed and pulls out their phone. They're playing a 
    circuit simulator game. It appears dealing with electronics is not the difficulty of theirs. An update prompt pops up. Hec promptly shuts off the phone and dumps it onto the desk.
    
    DREAM SEQUENCE
    An abstract series of disjunct activities play forth, mainly in FPV. The rush ends at the sight of a PC display jarredly in the middle of the street. The audio tenses up, a cold chours of breezing wind halling. A familiar logo flashes up.
    
    Cut to view of Hec's face. They're staring at the pc display behind the audience. The expression is a intense mix of exhaustion and puzzled anger.
    
    The audio cuts out. Without a voice and glossolalic articulation, the abstract thoughts form a question, visible as a subtitle: "Why are you like this?"
    
    Cut to PC display, closeup. The previous audio returns, intensifying. The display starts showing a rapidly expanding wall of text in a foreign script.
    
    Cut to Hec in bed, morning. The sound turns out to be the heating system.
    
    
    HEC'S ROOM - MORNING
    It's weekend. After a slow morning and breakfast Hec sits down at the desk and turns on a different PC. The display briefly flashes 'OPENWARE'. Hec logs in, opens a chatroom on the device and starts typing. They're discussing the newest chip hacks and recently decrypted keys. Hec is specifically interested in jailbreaking their phone. 
    

    -> More roles and impacts of AI

    -> Friction and contrast between Blackbox and Open realm

    HEC'S DESK
    Camera frames the phone, plugged in. The standard boot display is visible, then switches with the OpenMobile boot screen. Hec's eye glances over in excitement.

    Corpos catch up with Hec’s activities…

    Megacorpos

    Originally, there was going to be only one company/logo.

    Soph pointed out that this would be too 1984-esque and distract from the plot. So here are 3-ish brands for variety.

    MESA
    "Mesa 
    Enterprise
    Silicon
    Alliance"
    
    Black silicon Megacorp
    
    SD
    "Superior Devices"
    
    Cheap Hardware Manufacturer
    ---
    SD Exp
    "Superior Devices Experience"
    
    Software Subsidiary
    Constellation Mobility
    "Constellation Mobility"
    
    Vehicles Manufacturer
    KAN/I
    "Kan-i" or "Kan-i seimitsu so-chi"
    transl. "Sweet-well precision devices"
    
    Sensor Manufacturer
    Military Subcontractor Megacorp
    
    Alpine Optics
    "Alpine Optics"
    
    Optics Manufacturer
    BALUS
    "Balus"
    
    Data Aggregator Megacorp
    Just like Palantir bases their name off the seeing stones from Lord of the Rings, BALUS bases its name off the famous self-destruct word from Castle in the Sky.

  • 2025 11 28 Tutorials

    By

    Keita Sugiyama

    I was 25 minutes late to the 30 minute Tutorials

    Some key takeaways

    • I’m free to take the story wherever I can, it doesn’t have to be perfect. If I cant stick to the no money and no jobs aspect, that is okay.
    • My pandemic experience is a good starting seed because through that experience I can tell the story closer to my expression.
    • The pandemic was a case of massive routine disruption. What if in a future world something artificial is expected to be reliable and it suddenly isn’t? (power grid, information system, internet etc.)
    • My struggles are mostly based on financial difficulties, doesn’t a future world of no money and no jobs basically evaporate all relevant aspects of my story? -> Not directly: The different struggles birthed different values between different people, and these values could persist if a solved world is young.

    To work out this last bullet point, I am reading a chapter from David Graeber’s book Debt – The First 50.000 Years.

    In particular I want to figure out if currency is a naturally emergent system in a large society.
    If yes, this means in The Solved World, communities would start enforcing a currency system despite the System not necessitating one.
    If no, a population could be at the whim of a system which nourishes them, deeply impacted by its instabilities.

    The Myth of Barter
    • Although debt must have developed directly with money, it is hardly discussed. Most historic accounts from around the world only talk about the coinage and not the underlying credit arrangements. [p. 21]
    • Economists generally speak of three roles of money: medium of exchange, unit of account and store of value. [p. 22]
    • Case, Fair, Gärtner and Heather (1996): ‘A barter system requires a double coincidence of wants on both sides.’ ‘Money eliminates such logistical challenges.’ [p. 22-23]
    • The case of barter as an example is merely a fantasy exercise of economists explaining money. There is no proof it happened this way. [p. 22-28]
    • Yet the story of barter is perpetuated unanimously. It has become an essential myth without basis and propagated to people far and wide. [p. 28]

    Troughout this chapter Graeber criticizes the narrative economist books regurgitate when they explain the origin of money, a form of supremacist narrative. He takes issue with all of the literature essentially imagining a money-less world by starting with a typical economy and “plucking” the money away from it.

    For historical reconstruction purposes it is problematic since most people grow up with this information, saying that first was barter then came money. A conceptual precedent which interferes with archaeological research.

    For imagining a near future world without money though, it is an interesting idea, since the people will be living in a world from which money was suddenly (or gradually) plucked away.

    Not so relevant idea: A semi-financial life model

    A semi-financial life model:

    The thought of a population at the whim of a nourishing System pops up an interesting monetary system: intermittent abundance.

    To those citizen living in the outskirts, the eternally abundant system is not available. They live with a finance system more similar to our financial system.

    But when the state can spare material, this excess is dispersed into the outskirts.

    The outskirters live with a system of intermittent money-less phases.

    Storyboard – Plot 1

    Characters

    Protagonist:

    • Hector/Hectavia – Hec
    • Tweens age citizen.
    • Underground Tinkerers community member for a few years.
    • Works within state as small systems assembler, common occupation.

    Delivery car:

    • State-owned asset.
    • Delivers every amenity to living complex of Hec’s location of residence.

    The State:

    • Barely seen or explained within the film?
    • Surveillance-authoritarian?
    • Relatively young system, enforces a radically different economy model.

    The situation:

    • Money is gone, but not forgotten.
    • People share and barter for tools and resources.
    • State outskirts are unfertile and uninhabited.

    Story/Notes

    ‘One past’s trash, another future’s treasure.’

    Hec lives a routine life as system assembler at the state’s productive zones (PZs). Tasks as system assembler include final assembly and quality assurance of small and medium scale robotics and electronics for the state.
    It may sound like a ‘Job’ at first, but the occupation can be thought of as compulsory, like education. There is no financial reward. Instead, as a PZ member they benefit from amenities like hygiene, food and shelter.
    What the machines are for is unknown.

    A few years ago Hec came in contact with a few people while at a scrapyard outside who shared a mind: why discard the old machinery?
    Hec remembers the age of global finance and the struggles they had in the family before the great solve, so they have an instinct for resourcefulness and keeping things around.

    With a combination of the skills acquired as PZ member and freetime tinkering with found scraps, Hec is convinced a more resource friendly lifestyle is possible for the common people, if they just knew how to fix machines.

    As it stands right now, a combination of complexity in consumer products and the inadequate education of the general population leads to a large amount of electronics being discarded into landfills.

    Storyboard – Plot 2

    Characters

    Protagonist:

    • Hector/Hectavia – Hec
    • Tweens age citizen.

    State:

    • Recognizes hackspaces and education on electronics.

    Situation:

    • Tinkering is a common activity, thanks to initiatives and efforts.

    Story/Notes:

    A setting where common people know how to modify electronics and fix machines.

    This is in contrast to today’s public’s stereotypes and misunderstanding of hacking. The kind of prejudice which outlaws educational devices like the Flipper Zero.

  • 27.11

    By

    Tim Ficht

    my aspirational future

    I aspire a future, where I know my neighbors, where I have always enough people to call and where I know whom to ask for support. I want a society, where we are skilled in asking for help and support, as well as being able to rely on the networks around us. These networks should thrive through care and understanding, thereby fostering thinking in kind ways about others and sharing this kindness.

    This network based approach gives me the freedom to share my knowledge and friends, as well as being open to get to know more people – which I could then help with my skills. This active care for the unknown is essential in places where I co-exist, it needs some energy, but then it also creates a common understanding. I don’t have to befriend every one, but I have to have a deep respect for each other, starting from behavior and time, including communication and tasks of care.

    You’ll get your space to live, as long as you’re mindful of the space of your co-living beings.

    garage complex

    more garages -> digital production tools -> try-outs again

    immersive diorama

    aesthetics

    audiostories

    around 250 words -> max 2 min long

    4 stories

    in German

    topics to explore:

    • mindful nudging
    • “overproduction” of food just because they have the space to do so
    • one man’s trash is another man’s treasure
    • afternoon conversation
    • helping, out of frustration with quality and inner perfectionism
    • unsolicited advice

    It was only when I paused for a moment—the sawdust scent mixing with the crisp, late-summer air—that the realization hit me: For the past few days, I’d been working exclusively outside. Without consciously intending to, I had carved out a small, sun-drenched workspace right in front of the garage doors. Building these raised garden beds is very much easier out here, breathing the fresh air and feeling the gentle warmth of the afternoon sun.

    The shift, however, wasn’t born of a sudden desire for nature. It started with Max’s slightly annoyed explanation. He pointed out, with a noticeable edge to his voice, how incredibly loud my hammer blows and sawing echoed and reverberated throughout all the neighboring units. “Every single strike rips us out of concentration,” he’d complained. “It’s driving everyone mad.”

    I hadn’t heard it. Completely oblivious to the sonic disturbance I was creating, I felt a wave of mild embarrassment, quickly followed by gratitude for his bluntness. Moving my operation outside was a simple fix. 

    Now, in the peaceful glow of the lingering late-summer sun, I wouldn’t trade this setup for the echoing concrete cave inside and the others have definitely noticed the change. 

    This morning, I found a small, striped sun umbrella propped up next to my saw horses. I think it was an older model from Katja’s unit, providing a welcome patch of shade over my plans. It’s a silent, simple affirmation that my move outside was appreciated.

    next up

    stories

    produce, prepare and plan as much as I can

  • tutorial november 28th

    By

    Franziska Anna Herzog

    Recap of Concept

    In a future shaped by AI-generated intimacy, people rely on synthetic warmth that feels comforting but ultimately hollow. A narrator grows increasingly unsettled by Models that mimic affection through borrowed fragments of online desire. While most accept this artificial closeness without question, the narrator begins craving real imperfection, hesitation, and vulnerability. The search for genuine connection reveals how demanding and fragile true intimacy becomes when contrasted with the optimized ease of AI. At its core, the story follows someone who refuses to give up on the kind of human warmth that cannot be engineered.

    What is the Echochamber?

    Talking about Script

    Male Protagonist → because of of the faulty data training set

    Building a routine = showing what the echochamber is, and how it shapes our world as well digital intimacy

    Breaking the routine = breaking out of the echochamber and embracing real human closeness and intimacy

    Experiments

    Experiment: Instagram – Accounts for AI-Personas: every Team member created 2 Instagram accounts for 2 imaginary Personas, created by AI. We are texting each other without anyone knowing who’s who. The texts are written by ChatGPT roleplaying each persona. This is a try on simulating the Echochamber. 

    Playing with Camera Angels, Lenses and AI Tools

    style of filming: body mounted Camera rig

    different focal lengths can cause distortion of face 

    fisheye lense

    initial picture & AI picture using Nano Banana

    AI video using Kling AI

    AI video enhancement

    Individual Inspirations

    Requiem for a dream

    Best Friend, GOBELINS

    Todd Hido

    Storytelling via room

    Work in progress:

    script

    techniques

    camera and mood inspo

    trying out different things

    continuing AI-Instagram-Experiment