2025W No More BS Futures

  • 01.07 Tutorial

    By

    Oulin Chen

    I built the wishing device!

    Footage shot. In the editing phase now.

    Completed and unfinished sections of the film:

    √ 1. Beginning: a chat on the hill about what we would do on the last day of the world (1’08 min)

    2. A video explaining “What happens to Earth after an asteroid impact.”

    Video is turned off suddenly.

    News page of the failure of the defence plan. The asteroid IS coming.

    I break down.

    • Option 1: the record of my real breakdown triggered by a documentary about the pandemic
    • Option 2: the faked ones I shot

    √ 3. Introduce my idea of making a wish to the asteroid. (2’31 min)

    I become excited and explain the idea of wishing to an asteroid.
    I talk about how and when to wish,
    and introduce the idea of making a wearable device.

    √ 4. Test the prototype and tie knots. (1’30 min)

    (Holding the prototype and test the sound effects) You’re filming.
    (Tying knots) Making Chinese knots in middle school craft class was my nightmare.
    So hard to get it right.
    (Hang up the string and pointing at teh knots) Zaojing knot. Double connection knot.
    Hope this helps the wish come true.

    5. Montage of buildings and tyings with news reports. Time flies. (My next priority for cutting.)

    1) building

    2) tying knots

    • more technical vibe? more scenes of the orbits of the asteroid/more analyses??
    • code testing with the real device

    √ 6. Ending part (4’19 min)

    • Strong wind and heavy snow
    • A relatively bright sky
    • a long monologue to the camera. Some last words.
    • go up the hill
    • when the sound rises, make the wish

    Electric part works, but worse light condition and no wind.

    I prefer the one with wind. (Option: post produce the LED effects in AE)

    Extra: Also took photos (excluded from the film)

    Already 9’30 min. Aim to edit the whole film down to 15min.

  • 07.01

    By

    Tim Ficht

    script for audiostory

    setup

    questions for exhibition setup

    can I use the small room?

    how should I present the german story for the finals?

  • Team 9, Tutorial 9.01.26

    By

    Nina Gstaltner

    ,

    Parnian Farmani

    ,

    Amelie Proksch

    and

    Jenny Krokstad

    The Narrative – Story Arch

    1. Space Introduction + News of 70th Anniversary in background
    2. Eliot with Object, taking off headphones (listened to news)
    3. Transition to Running Scene (leading scene)
    4. In-between Sequences: Flashbacks of his Emotional Journey
    5. End: Emotional Collapse

    Footage Draft

    Video

    Raw Footage/ Running Clip Snipped:

    Audio

    New Role of Sound: it is what connects to his inner feelings and the ghost orchestra – but doesn’t solely carry the story now. It is a part of it, just like the rest :

    because we got into the visuals and it made sense to us to also focus on visuals. It naturally developed and it felt like the focus on the sound limited us.

    We managed to make much more with the visuals than we thought we can do. Now each dimension of the film equally tells its part of the story.

    Sound: snipped

    Animations

    Style Test with Test Footage:

    First Parts of Final Animation Style

    The Red Thread

    the colour RED connects:

    • emotions
    • ghost orchestra
    • protagonist
    • sound

    We chose the color red to act as a visual thread throughout the entire film. It appears always in connection with the bodies listed above.

    Questions we have

    How do you feel about the name ” Ghost Orchestra” for our film?

  • STAR2

    By

    Keita Sugiyama

    2024 12 23

    Cleaning STAR2

    2024 12 29

    Furnishing and filming in STAR2

  • FB – 19.Dec._Hands are HARD

    FB – 19.Dec._Hands are HARD

    By

    Laura Frühmesser

    Currently I have drawn 75 frames

    • My animation style is rough, otherwise it’s impossible to finish the film until January.
    • Normal pacing: 2 to 4 fps
      Emotional scenes (f.e. slamming on desk): 6 fps
    • Stylistic tool/showing difference: 25 fps and not hand drawn?

    Hand drawn images but still with 25fps

    Vector based 25fps

  • Team 1 Feedback Session 19.12.25

    By

    Anton Haberl

    ,

    Derin Sahin

    ,

    Lili Miklós

    and

    Eva Aartse

    What We Do in the Shadows (2015) – A mockumentary style comedy horror film on vampires

    Bill Nicols modes of documentary:

    Reflective Mode
    Questioning the authenticity of documentary in general (fits to the brief: make a “fictional” documentary)
    Challenge the form and expectations you have by watching a documentary
    Form in this mode: the mockumentary
    Depicting an observational/expository documentary but completely fictional.
    we will be subjective, getting across an absurd point, poking fun at all the tropes and play with convention
    Eg. ‘What We Do in the Shadows’, ‘7 Days in Hell’, ‘Tour de Pharmacy’, ‘the Office’

    Participatory Mode
    ‘When the encounter between filmmaker and subject is recorded and the filmmaker actively engages with the situation they are documenting’ (Nicols, 2010)
    The filmmakers are as well the subjects of our doc as the sloth they are filming
    Eg. Michael Moore, Louis Theroux
    This allows for us to get our “subject” viewpoint across – and tell the narrative we want to tell

    Documentary form & styles:

    • the interview (authenticity & authority) off-camera & formal + informal interview style (sloth tending it’s plants, showing the special toilet procedure)
    • ‘voice of god’ narrator style
    • B roll (location shots of apartment, sloth going outside, close up of front pack, crew setting up/having discussions) providing visual variety and showing what’s being talked about and give pace to the doc and topics
    • scenes (sloth running into friend) making the audience feel like they are there
    • archival footage (old pictures of sloths, giving some backstory in introduction (giving historical context of development of community), also to explain certain features of the modified human sloth eg the 4 stomaches)

    OUR MOVIE

    Interior of the sloth apartment

    The Sloth

    Camera

    miniDV Cam for following the sloth around
    Canon 16mm f2.6 lens for capturing the interview

    Storyboards

    Schedule:

    Until Jan. 8th: Finish terrariums, finish costume and finalize dialogue

    Jan. 8th-11th: Filming

    11th-16th: Cutting and post production

  • 19.12 Tutorials

    By

    Apolonia Bokszycka

    and

    Stephan Sinn

    Timeline

    • Y Combinator receives pitches in so-called Batches. The next one is Spring 2026 Batch, for which deadline is the 9th of February.

    We decided to look for pitch competitions within the span of the semester.

    • Unfortunately there are no pitch competitions before the 20th of January.
    • The closes to date is AI festival in Milan, which happens on 21st-22nd of January and hosts pitch competition. It connects start-ups, venture capitalists and investors.
    • The only option, which is not ideal, is a business management conference in Salzburg (3rd of January) or London (15th of January) – however we are not sure if the audience suits design of our project? How fitting must the audience be?

    Strategy & Business Model

    According to Y/C in orderd to prepare a pitch we need to ask ourselves the following questions:

    1. What do you do?
    2. How big is the market?
    3. What’s your progress?
    4. What’s your unique insight?
    5. What’s your business model?
    6. Who’s on your team?
    7. What do you want?

    Competitors Analysis: Unique Insight

    We did competitors analysis and on this basis decided on the niche we want to fill in – modeling wealth redistribution trough progressive wealth taxation (proposed by Thomas Piketty) as none of the competitors implement this.

    Business Model:

    Value Proposition 


    Target Market

    Public and private actors: policy designers, government analysts, local and state finance departments, funding organizations, lobbying institutes


    Revenue Streams (How we earn money)

    Subscription based software service (modeled on Palantir)


    Cost Structure


    Key Activities & Resources


    Channels

    Next

    1. What do you do?
    2. How big is the market?
    3. What’s your progress?
    4. What’s your unique insight?
    5. What’s your business model?
    6. Who’s on your team?
    7. What do you want?

    Ad.2. We still need to research how many potential users of our product there would be.

    Ad.6. Jakub Pieszczek, the ML engineer we consulted, agreed to appear in our company’s online presence. We still need to look for an economist.

  • Tutorial 19.12

    By

    Annalisa Rhein

    ,

    Janek Beau

    ,

    Nina Heimel

    and

    Franziska Anna Herzog

    Saturday 13.12

    Read through and script rewrite

    Tryouts with lighting

    First SnorriCam Shot

    Tuesday 16.12

    Setting up the location

    Shooting

    Final Test Results

    https://drive.google.com/file/d/1lhXs3-VspYypB2AqD7TG2Si-xn_XwJpa/view?usp=sharing

    https://drive.google.com/file/d/11yD2-N5Jf_SYeVBDicqcgqwqepZckokh/view?usp=sharing