2026W What Stories do Objects Tell?

  • 2026.10.16 – kokรกrda!

    By

    Lili Miklรณs

    Starting place:

    • The Hungarian symbol of the 1848 revolution against the Habsburgs, as well as the 1956 revolution against the ussr-subordinate Hungarian government
    • A ribbon rosette worn above the heart traditionally on the 15th of march

    • it is a very small object comprising several topics I am interested in, such as
      • national and cultural identity
      • emotional attachment to history and community
      • nationalism, and the monopolization of national symbols by the right-wing
      • traditional crafts and their role in shaping this symbol
    • the reason I chose it:
      • it is a fairly young
      • very recognizable in Hungary, but not so well-known in other countries

    Investigating form and materiality

    If we detach the form from fabric and its small size, the core geometry of a cockade (kokรกrda) is a concentric, rippled disc radiating outward from a central point. It appears across industry, architecture, and nature.

    Shoe rosettes, award ribbon rosettes, ceiling roses (Stukk), turbine impellers, flap discs, oculi/rose windows.

    next steps:

    • further research
    • material experiments – size, material, color and context

  • weltmuseum object chain

    By

    Franziska Anna Herzog

    october 2nd 2026

  • prepare and bring

    By

    Franziska Anna Herzog

    october 1st 2026

    both of my grandmas do not have a uterus anymore – so i brought a menstrual cup, as a symbol for menstruation and the menstrual cycle.
    menstrual products, are part of every situation but always remain hidden – the same goes for menstruation itself, which is still handled with disgust and as a tabu.
    i want to take this disgust and turn it into something beautiful and powerful, shown openly rather than remaining hidden.
    after all, menstruation and the menstrual cycle is what makes life possible, it is very powerful.
    i hope for a future, where it is no longer seen as something to be ashamed of an to be hidden, and that this disgust and shame menstruating people are confronted with today, will be the hardest part to explain.

  • Group V

    By

    Mikulรกลก Tycar

    ,

    Vinzenz Grausam

    ,

    Clark Philips

    and

    Suresh K P

    ideas, research and where we started

    HOW everyday OBJECTS CAN CONNECT TO EACH OTHER

    We (re)imagine the vitrine as a place of action, a playground.
    Fire, kinetic objects, natural decay, processes both of LIFE and DEATH.


    Processes that sooner or later will come to an end.
    The vitrine will remain empty, with the imprints of that life.

    Exhibiting a vitrine marks the end of starring at neither dead nor alive objects. A new museum is established.

    The marks of a lived life seem more interesting to us.

    The ashes, leaving space to imagine and remember.

    What is the role of the vitrine within the context of an ethnographic museum in the future? How do we interact with objects displayed inside these vitrines? What is the role of the museum as a container of culture, thus a vitrine itself?

    MEMORIES of labels

    RETHINKING THE ‘BOX’

    OBJECT EXAMPLES

    “living” objects have the ability to make these moulds.

    The mould is caught in the vitrine.

    When the object dies, it is removed, buried, no longer needed.

    //////////////////////////////////////////////////////////

    NEXT STEPS=objects//sounds//light//dead or unused//physical or analogue slop

    // Kinetic sculptures, tools and instruments //

    Can photographs die? What purposes and functions of a photograph have outside memory and story?

    The mould – steps in dirt leave an impression of our shoes behind.

    objects that capture sound and smell

    QUESTIONS: Is it about the Vitrine? Most objects within vitrines are decontextualized and can be therefore distorted. We are looking to show what imprints, marks, distortion/disruption within this context.

    Memory of labels? Embracing contradictions

    Can objects hold feelings? a more than human way of re-storytelling?

  • Medusa

    By

    Emilia Gruber

    ,

    Alice Abela

    ,

    Parnian Farmani

    and

    Weronika Bojkowska

    Alice Abela, Weronika Bojkowska, Parnian Farmani, Emilia Gruber

    Common ground

    • Hormonal cycle
    • Food culture
    • Contraception and fertility
    • Fictional history
    • Rituals

    Object Studies

    Thinking about the future

    We took already existing hidden ritual that is part of hormonal cycle and menstruation and translated it into the future, making it a visible and important part of the belief system of a specific community

    Narration and Worldbuilding

    creating a fictional religious community in the future centered around the hormonal cycle

    1. Connection to nature is the highest force
    2. Biological calender, measurement of time based on cycle/bodily processes
    3. Bleeding as a service for the community
    4. Burial ritual to become a fertilizer to the plants you have tended to throughout your life
    5. Symbol: immortal jellyfish (Medusa)
      1. The species “Turritopsis dohrnii”: reverts if stressed and is “reborn”
      2. Symbol of protecting and practicing rest in contrast to current capitalist culture, and honoring the cyclicality of life and nature

    Possible story-telling

    A form of documentation of this community and their rituals and habits, recorded by one or two members of the community

    Next steps

    • Creating the future world regardless of the religion
      • future of fertility, reproduction and natural resources
    • Thinking what kinds of rituals could we be interpreted to have today from the perspective of that future
    • Starting the journal
    • Sketching more vessels
    • Specifying the gardening, food practices, and rituals
    • Visit the contraception and abortion museum in Vienna
  • LH3009 What is the Mirror of a garden?

    By

    Leo Hafele

    What a garden tells us about the gardener?

    I want to look into topics/behaviors/aesthetics/meanings of things like Speed up growth with fertilizers, cutting plants to shape, letting the garden grow wild, combine non organic and organic objects, adjust the landscape to fit a certian look, what decoration elements get used, what food crops are preferred, how do people use a garden, what feeling do people miss if they donโ€˜t have a garden or maybe donโ€˜t miss because they never lived with oneโ€ฆ 

    wardiancase, Green guerillas, hironmus bosch, lawn/lawnmower

    Feedback: narrow down topic,
    Kolunale Sommerfrische, Quinta da regaleira, Waldbaden Shinrin-Yoku, Pexton Glasshouse, Barbwire oder Zaun allgemein, Ungeziefermittel

    Colonial summer resorts, similar to Tyrolean summer resorts, but in colonies such as Sapa in Vietnam
    Quinta da Regaleira: the park is orderly at the bottom and open at the top, with elaborately carved benches; the well shafts are not intended as wells but for ceremonial walks (connected to tunnels and grottoes) โ€“ in other words, lake fountains
    Waldbaden Shinrin-Yoku โ€“ Tyrolean common sense: the forest is good for you and restores peopleโ€™s health pysical and mental

    Pexton Glasshouse โ€“ the first large-scale greenhouse, designed for tropical plants, was heated underground using roaring coal stoves, featured a gravity-fed fountain, and had a transparent partition separating it from the outside,
    Emperior Fountain (Pexton) water pressure via elevation and gravity,


    Library Research:

    Kitchen garden and pleasure garden; water is fundamental; obtaining water and retaining it there,

    Egyptian gardens โ€“ luxury, and closely linked to life and death. The pharaohs wanted their tombs to be in gardens; rich gardens were carved into their tombstones; the tree goddess was a very important symbol.
    There were almost no ladders โ€“ people (slaves referred to as โ€˜monkeysโ€™) would climb the tree trunks, or real monkeys were tamed.


    Oriental gardens โ€“ palm gardens, shade, open to all, 1/3 city, 1/3 river, 1/3 garden; gardeners received 1/3 of the harvest; palm trees were pollinated by hand; the only place to find shade outside the garden; dates were harvested too early and then artificially scored to control their ripening process

    Books:

    Gartenkunst: Bilder und Texte von Gรคrten und Parks (Ursula Storch)
    Garten Eden: der Garten in der Kunst seit 1990
    Der Familien-Garten: phantasievolle Ideen, praktische Bauanleitungen, einfache Pflanzentips
    Der Garten von der Antike bis zum Mittelalter
    Gรคrten der Welt: Orte der Sehensucht und Inspiration
    Warum ein Apfel, Eva? die Bildsprache von Baum, Frucht Blume


    A locked garden, a sealed spring;
    The Romance of the Rose novel: โ€˜Here, the garden is a secret place beyond the orderly world of everyday life, where sexual fantasies can be acted out. The sacred/forbidden behind the hedge
    In the geometric Baroque gardens there were also mazes and dark grottoesโ€™

    Der Garten ist der letzte Luxus unserer Tage, denn er fordert das, was in unserer Gesellschaft am seltesten und kostbarsten geworden ist: Zeit, Zuwendung und Raum –

    Dieter Kienast
    A garden is the ultimate luxury of our times, for it demands what has become the rarest and most precious commodity in our society: time, attention and space

    It looks like that the meaning of Gardens changes a lot with where you are, they are very local. When i say Garden i mean something like
    back garden, yard, Hausgarten, residental garden, private gardens (not communal like Dutch hofje)

    Hard-edge painting movement

    Prisions
    Prisions are integral to society and to capitalist economic systemy by stabilizing and maintaining deviant populations at the same time that their lack of public visibility and public access relegates them to the margins of socity.

    Tools: Garden fork, watering can, ladder, pruning shears, hose,
    Animals: foxes, birds, hedgehogs, worms, bees, ladybugs, birdhouse
    Funactivity: Ball games, barbecuing, badminton, trampoline, pool, slackline, Table tennis, treehouse, swing/rope, fountain
    Gardencare: Mowing, Watering, planting, weeding,
    harvest

    How can a garden define itยดs borders?

    the garden opens the possibility for an alternative reality beyond a fence

    Feedback: narrow down, think personal, start doing things, go to gardens, add smth to angwandte garden

    – The One-Straw Revolution 1975 Japoan Philosopher Gardener
    – The Kindest Garden: A Practical Guide to Regenerative Gardening
    – https://medium.com/@the_jennitaur/how-to-do-nothing-57e100f59bbb


    24hour Comic Session Sat13:00-Sun 14:00

    My Garden history (gardens that felt like an outddor extension of my home) and comparing them to where i live now.
    In the city is no space to have a garden

    Experiments: How could a garden be felt beyond its borders?

    Make clothing feel/look like you would have been in a garden, Bring the garden close to your body;

    Idea: move textiles or shirts/pants through flower fields, grass, earth, rose thorns, bushes with berrys, trees… to stain the fabric.

    indoor flower garden element

    wooden beam of a garden shed with cow bell fringes

    if you look at it, it makes you want to pull out the strings (one color segment)

    i came to the conclusion city and garden dont work, at least none that i would long for.

    elements of my dream garden written on paper with city garden sounds

    I was walking through Prater and Prater woods, Wednesday 16:00-17:45. grey weather 15*C
    Maximum duration without passing another person 1:03sec
    Maximum duration without crossing a dog 1:28sec
    Maximum distance without crossing a footpath 25m
    Maximum duration without hearing a dog, person, traffic 0sec

    experiment with recoil starter(Seilzugstarter) mechanism [abstract]

    when mowing the lawn you see the trace where you had been already

    negotiate the borders via drawing of a clay model of a watering can

    rust experiments with wood chips (oak and other), vinegar, loam, water. + 1 image planting an Apple Tree in 1.District Vienna

    gemeinschaftliches heuen, hackschnitzelgruben hรผpfen

    Feedback: what kind of feedback do i want?
    selma did a project with a “original” forest in austria,
    the forests in tirol are also not natural,
    stonegardens


    read Books

    The One Straw Revolution
    Mein Garten(buch) -Jamaica Kincaid
    Die gegenstandslose Welt (Kasimi Malewitsch)
    Books about Bruce Nauman

    SB Mowing Youtube channel – mows abdoned gardens while filming about 600k Views in 10 days, videos 1-2mio views

    Experiements with growing microgreen extrusions

    maybe use bread as substrate (so much thrown out)

    Can we construct rewilding?

    How would a rewilded face look like?

    What does a rewilded appartment feel like?

    What would a rewilded (post-colonial) wardrobe look like?

  • tut_10-09

    By

    Julia Freyer

    IDEA I

    IDEA II

    https://designmanifestos.org